David Morales Music Videos, Song Lyrics, Live Tours, Sessions and Mixs.
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David Morales in Internet
Since 1986, Morales has also carved out a career as arguably one of the most in-demand remixers of the post-house era.
He has worked with a large assortment of successful and famous artists, including Madonna, Whitney Houston, Michael Jackson, Janet Jackson, U2, Luther Vandross, Aretha Franklin, Diana Ross, Jocelyn Brown, The Spice Girls, and many others.
Morales has won a variety of accolades for his efforts including Billboard and National Dance Music Awards in the United States.
In addition to remixing Pop songs and transforming them into dancefloor anthems, he has also put his own spin on various house records.
Despite the many artists Morales has worked with across his career, probably his most important and successful partnership has been with Mariah Carey.
His first reworking of a Carey record was Dreamlover (1993), his versions of which are credited with popularising the tradition of remixing pop songs into house records.
In 2006 Slant magazine named Morales's Def Club mix of Dreamlover one of the greatest dance songs of all time.
Morales worked with Carey at almost every stage of her career following Dreamlover, re-working the songs Fantasy (1995), Always Be My Baby (1996), Honey (1997), My All (1998), I Still Believe]] (1999), It's like That (2005) and Say Somethin' (2006) into number-one hits on Billboard's Hot Dance Club Play chart in the U.S.
Morales was awarded the 1998 Grammy Award for Remixer of the Year, Non-Classical.
Morales partnered with famed House music pioneer Frankie Knuckles in Def Mix Productions.
Together they honed the formula for what would become the Def Classic Mix (which could - and would - be genericized as Classic Mix, but this still connotes Def Classic Mix).
It is historically evident that the classic mix concept was entirely Knuckles' creation, and Morales would be following a template created by someone else in its development.
While it appears that both benefitted from the creative partnership, Morales remixes in the early 1990s were becoming more and more like Knuckles.
He succeeded in the later 1990s of once again distinguishing himself with a unique remix style (in fact he became quite distinguished for his lack of a predictable style), a process he began in the early to mid 1990s by adding techno and tribal music elements into the Classic Mix formula. (*) |
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