Josh Wink Music Videos, Song Lyrics, Live Tours, Sessions and Mixs.
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Josh Wink in Internet
Wink's current style is a mixture of techno, acid, house, drum and bass, and experimental music.
In interviews, he has stated that his music is built around tension, and that his work is often influenced by mistake theory, which is: I use a lot of things that you and I might consider mistakes....by (experimenting) with effects, with filters, with percentages in my sampler, and just doing stuff that you wouldn't ordinarily do.
In 1996, Rolling Stone writer Frank Broughton observed that a Josh Wink record takes a series of sampled noises, then twists and warps them through a barrage of sound processors, resulting in a spiraling blend of acidic bass lines and trippy break beats.
Another reviewer referred to Wink's Profound Sounds album series as sensual techno, rendered as a whole composition rather than a collection of individual, flavor-of-the-month tracks.
Wink has acknowledged the music of Kraftwerk, 1980s synthpop and late 1980s Chicago house music as major influences on his style.
He is a strong supporter of new DJing technology, most specifically utilising, demonstrating and advocating the Final Scratch application.
In 1996 Wink released two albums: A Higher State Of Wink's Work, which is a compilation of Wink's early 12 inch singles, and Left Above the Clouds, under the name Winx.
In 1998, he released the Herehear album and the 20 To 20 EP appeared in 2003.
In addition to his artist albums, Wink has released many DJ mix albums, three of his most well-known being Volumes 1, 2 and 3 of the Profound Sounds series.
Profound Sounds Volume 3 is notable in that it contains Wink's popular remix of the Radiohead song Everything in Its Right Place, which despite becoming a favorite of DJs as a bootlegged mp3, Wink was able to license exclusively for his album through negotiations with Radiohead themselves, their publisher and management team. (*) |
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