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Josh Wink in Internet
| Wink's current style is a mixture of techno, acid, house, drum and bass, and experimental music.<br />In interviews, he has stated that his music is built around tension, and that his work is often influenced by mistake theory, which is: I use a lot of things that you and I might consider mistakes....by (experimenting) with effects, with filters, with percentages in my sampler, and just doing stuff that you wouldn't ordinarily do.<br />In 1996, Rolling Stone writer Frank Broughton observed that a Josh Wink record takes a series of sampled noises, then twists and warps them through a barrage of sound processors, resulting in a spiraling blend of acidic bass lines and trippy break beats.<br />Another reviewer referred to Wink's Profound Sounds album series as sensual techno, rendered as a whole composition rather than a collection of individual, flavor-of-the-month tracks.<br />Wink has acknowledged the music of Kraftwerk, 1980s synthpop and late 1980s Chicago house music as major influences on his style.<br />He is a strong supporter of new DJing technology, most specifically utilising, demonstrating and advocating the Final Scratch application.<br />In 1996 Wink released two albums: A Higher State Of Wink's Work, which is a compilation of Wink's early 12 inch singles, and Left Above the Clouds, under the name Winx.<br />In 1998, he released the Herehear album and the 20 To 20 EP appeared in 2003.<br />In addition to his artist albums, Wink has released many DJ mix albums, three of his most well-known being Volumes 1, 2 and 3 of the Profound Sounds series.<br />Profound Sounds Volume 3 is notable in that it contains Wink's popular remix of the Radiohead song Everything in Its Right Place, which despite becoming a favorite of DJs as a bootlegged mp3, Wink was able to license exclusively for his album through negotiations with Radiohead themselves, their publisher and management team. (*) |
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